Marisa Cappetta BA Vis Arts and Poet

Published Poems

2012-01-31T01:12:00.000-08:00

A few folk have asked me where they can read my poems. Some are here on my blog of course. Here's a summary of poems published elsewhere.

E-zines
Snorkel, the literary journal of the University of Sydney, you can read Turning the Seasons with the Dead here

International Literary Quarterly published Biological Name for Moth and Coracle here

Turbine, Literary Magazine of the Victoria University, Wellington NZ published Found Farther and Farther Out here

Shot Glass Journal published Nude on a Staircase here

I've been a Tuesday poet on Catherine Fitchett's blog, with Young Woman Marries the Farmer's Son here

Samuel Peralta featured Drawing Grasses in Okains Bay New Zealand on his blog The Semaphore Anthology

Print Media
In addition I have been published several times in Takahe, which you can subscribe to here. Numerous times in The Press. Voiceprints #3, which is available to purchase through the Canterbury Poets Collective. Also Enamel and Crest to Crest Anthology of Canterbury Poetry and Prose.

Winning the 2011 Margaret Mahy Prize.

2012-01-27T16:28:00.000-08:00

“Ok, so you’repretty prolific, get 100 poems together and let’s see if there’s a book amongstthem.” Thus began the relationship withmy Hagley Writers Institute supervisor, John Dickson.

OOOkay… Igulped and got to work and lo, I pulled it off. I narrowed it down to 47,submitted the manuscript for my final folio and it was short listed in the topseven. From these Anne Rogers, editor at Random House chose the winners of theMargaret Mahy Award. I thought I hadn’t heard correctly when my name wascalled. I stumbled up to receive the award, and then spent the rest of the eveningin a grinning daze. Always remember to prepare a winners face, as well as alosers. I have learned by experience now! Pictures of graduation here.

The manuscriptis called, A Machine of Herbs and Flowers. It’s my first collection of poetry.Hagley are now sending it to Auckland University Press and one other publisheryet to be decided to be considered for publishing.

2011 was tough, with some 9,500 aftershocks and quakes in Christchurch and the death of one of my best friends. Hagley held me together and gave me purpose and hope. There’s alot to look forward to and work towards in 2012. I’m returning to Hagley foryear two. This year my tutor is the brilliant Frankie Mcmillan who I know willbe able to polish my short fiction writing skills.

Review of apple strudel

2012-01-12T13:01:00.000-08:00

Thank you to Emmett Wheatfall for his review of 'apple strudel'. It's always a pleasure to be reviewed by a peer. His review can be read here http://emmettwheatfall.tumblr.com/ .

apple strudel

2011-09-05T02:14:00.001-07:00

My mum and aunties stretch it with their fists. They coax it thinner and thinner stretch it until it covers the whole laminex kitchen table and I can see the check of the cloth through the membrane of pastry. Stretch out their pride in their children stretch out their cackles of laughter at the stupidity of their husbands stretch out their tears for the sister who died young. At 15 they let me have a go, I try to mimic their hand over hand and rip a big hole in it they laugh at my clumsiness and shoo me away. When I’m 20 they laugh at my university-learned hochdeutsch even though I can stretch the dough as good as them “ooo la di da” they screech taunts at my posh accent and it thins the pastry a little more. Taunts add tartness to the apples they scatter. They add the finely chopped bitter rind of long standing family feuds, a sprinkle of spicy sugar gossip and roll the whole thing up using the cloth, lifting it so that fold upon fold of pastry swaddles the apples and all the ancient history.

Stubborn as Stone

2011-08-08T19:33:00.000-07:00

I sent my love a naked lithotint,

gold print on stone.

He says I’m a kind of rock

plants grow on,

a stone swallower,

rock borer,

fossilized fruit,

a concretion in his veins.

I assert that

for my fire I have flint,

to furrow the rows of my garden

I have a small stone adze;

live and worship in a stone circle.

A stone that falls to earth I become

phosphorescent when heated.

reasons for silence

2011-07-03T22:27:00.000-07:00

so the wheel barrow
full of star frequencies
can speak

so the energy wave
that is body
may be seen

a table cloth may
embroider itself
with grub roses

soliloquy
of the sewing box
may be heard

thunder of rust developing
on the hollow legs
of picnic tables
rattle the trees

the harmonic of frost chimes
resonant in the lacunae
within the leaves
of felicia amelloides
calls the followers to prayer

so that a rush
of seedlings heaves
the clay aside and terrifies

so the crackle
of thin bible pages
is delicious

so that as you
breathe out
and I breathe in
we synchronize

fuse at the sternum
with a seam of gold
in the ore of our bodies
the sound
of silent lightening

My Wedding Shoes

2011-04-12T21:12:00.000-07:00

The cobbler couldn’t squeeze my foot
into the standard last size no matter
how much sweat beaded his forehead.

So he went back to the drawing board.
He made a new shoe last.
He cut a new pattern;
cumulonimbus for the upper,
plumes of pampas grass for the sole,
and a wedge of utopia for a heel.

The shoes reach for my feet.
First the broken left one,
the shoe strokes my scars with its dainty
leather straps calming the angry
swelling before buckling
with the sound of lips on lips.

The right shoe is more teasing,
pretends coyness before
it invites my foot to tango
giggling when I tickle the buckle.

My wedding shoes are wrapped
in delicate linen and boxed.
I stumble across them when
I put away the winter woolens,

open the box, nudge aside the fabric.
My shoes glow with a wake up
smile and hold out their hands to me.

child's play

2011-03-13T01:15:00.000-08:00

as snake
beautiful but blue

as snow
remembered but black

as human
innocent but almost
born inside
a monster
a child
a bird
a cry of wings

waiting for a lover on Rabbit Island

2010-12-27T21:07:00.000-08:00

This poem was published in The Press, Christchurch, 24 December 2010

love knuckles up
in knots of bulbing young cones
on pine branches beyond
yearn and reach

the sea hurls shells
at the roots I collect
them my flaw is patience
I bury and wait

my flaw is dauntless and
alone in the thick scented
pine forest perfectly
still salt water covers my
feet shells bob nudge
and whimper for embrace

Gap Filler

2010-11-27T14:13:00.000-08:00

Following the September 4 earthquake, we have gaps in our city scape. For me some of these places were special. 'Through the Keyhole', on Colombo St was one. The entrance had the original cobblestone paving, the weatherboard stables intact. It was once a staging post on the arduous journey over the Port Hills to Lyttleton. A piece of our heritage. TTKspecialised in antique and vintage salvage. I spent many blissfully happy hours rummaging in the back rooms for keys, pressed metal, un-identifiable objects and shapes that spoke to me and might use one day use in mixed media jewelry. The building is gone now, the site leveled, no trace remains. It was heartbreaking to see.

Gap Filler is livening up some of these sites with film, poetry readings, music, food and more. I'm happy to be a part of it as a reader and urge all those in Christchurch to go and have a good time. Celebrate life, our beautiful city, the vibrancy of the arts. The site is 832/834 Colombo Street, previously South of the Border restaurant and Denis Moore Auto Electrician. Enjoy summer at Gap Filler.

love letter #1

2010-10-02T01:18:00.000-07:00

I felt the lack of simple things today,
of animating when I tell them aloud to you.

It was a breezy sunny spring afternoon and the poets
told this day like an abacus bead,

I buried my face in sun-clean towels
the day captured in the cotton.

Poetry News September 2010

2010-09-28T13:49:00.001-07:00

September has been an exciting month. Two more poems have been accepted for a forthcoming issue of Takahe, I'm a Tuesday Poet on Mariana Isara's blog, Type What You See and published in Shot Glass Journal #2 .

Takahe #70 is out and it's been a very good read. It showcases the work of established and emerging writers. It's excellent value, you can download a form from the website and subscribe to Takahe.

Shot Glass Journal #2 features New Zealand poets. The journal is dedicated to short poetry, great if you need a quick fix. Short poetry is tricky, how do you capture and convey an idea in under 16 lines? There are some admirable poems in this issue. Three poets in particular caught my attention. Sean Joyce, his piece warmly humorous and nostalgic. Mariana Isara, masterful in her brevity. Reilly Smethhurst, each line potent with image and rhythm, the poems unsettling, I find myself coming back to them and reading again.

courtesan

2010-09-16T02:24:00.000-07:00

This poem was published in Takahē 69, 2010

the cold fireplace
saw her play it coy

she threw her
boots in and

tried to blind it
he sprinkled them

with soot
and lit a match

a fist of flames
pushed out

years of
silk shawls

lace undies and
fans stuffed up

the chimney
the roar

a throat open
with confession

shadow puppets

2010-09-02T21:14:00.000-07:00

a man falls through
dressed in a paper suit,

he folds himself into
a crane and scatters
with a rattle of paper wings,

alights on her palm, unfolds
and says, "in a reflective way
I cry for...I don't know why,
you do that, you know."

his hands ache.
she oils them, warms them.

at sea

2010-06-29T21:32:00.000-07:00

perturbations from you my love
tip me on my axis

I re-align when I break bread with
a crouch of moss green stones and
meditate with tide pools

when I complete one orbit you will have
flung yourself in space I lift
a starfish -

in a palm full of deep water

Poet's Land

2010-05-07T00:09:00.000-07:00

To paraphrase Joan Baez, it was a happy April for this happy fool. I loved the focus and intensity of NaPoWriMo and the autumn season of poets in performance at the Madras Street Cafe. The month was drenched in poetry and I find it hard to let go. To keep the momentum going I am taking Joanna Preston's series of classes, Reading for Writing at CPIT, starting soon. Thanks to all who commented and cheered me on in April, it was such fun!

29 and 30 April

2010-04-30T02:45:00.000-07:00

Sitting down to blog my last two poems only to discover...I've left my manuscript at school. Well that's an anticlimax. I guess it will be Monday before I can show them.

Tuesday 27 April 2010

2010-04-27T19:27:00.000-07:00

surviving a break up

swoon words drip fed
from old letters embolise

the palliative stone burns
like oxygen on my sternum

unsleeved pulmonary veins
form new tissue

Monday 26 April 2010

2010-04-26T18:58:00.000-07:00

Island Home

I stray like a willful egg
the new zealand bird nudges
me back into the nest

I arrive like a spinning top
braids of water tangle
in my legs birch trees lean in
kiss me tip me blanket me
with upside down mountain clouds

I colour right up to the crinkly edges
a cuckoo afloat in a floating home

Sunday 25 April 2010

2010-04-24T23:26:00.000-07:00

Poppy Day

replant your bulbs
on ANZAC Day
right after dawn service
according to her grandmother

lay fresh flowers at the feet
of your hero's photo
his eyes bewildered
as the flash flares

his thoughts were
roast lamb
the shape of your hands
when you sew
the scurry of your heels
and hair blown back in the breeze
as you run for the bus

Saturday 24 April 2010

2010-04-24T00:23:00.000-07:00

Eulogy

my determined flame
here you are I am

curious to see what you've brought me

I greet
the dry lake bed of you
turn and sit down
inside your absence

rise on warm
thermals of death
learn the new terrain

Wednesday 21 April

2010-04-21T01:56:00.000-07:00

no moon tonight

tubular bell stars
burnished silver pipes of light
extend endless into resinous night

you touch and upwards I fall
tuned to your gravity
strike the columns and call
astral music

Tuesday 20 April 2010

2010-04-20T02:45:00.000-07:00

Burlesque Act

A maple leaf drifts through the bars
of her window a perfect russet freedom
twirled thoughtfully in her fingers, she presses
her cigarette in and blows fragrant
scroll work through the hole.

She flicks the butt at the tattered feathered
remnant of a corset nailed to the wall,
and imagines it laced and squeezing the neck of
the fat producer, bowler two sizes too small
greasy red lips and greasy red jealousy.

Sacked for her shimmy over the orchestra,
violin notes flew up her garter in the last act
glued pasties on her nipples pinned on
kitty cat ears and toyed with him
and her pistol behind a lace parasol
high heeled lace up boots clack like castanets
she exits stage left, the exit hole squirms with smoke.

Arrested with the rest of the dime girls suspended
from street lamps she briefly wonders if she gathers
a love child to the otherwise cool expectations
of the ladies who hang from the straps of
trolley cars thrusting their breasts into the faces
of seated gentlemen, the women who pursue
adversity and applaud the sandbox of domesticity
and secretly plunge into plush lust with angular lovers,
would this life compromise her poetic truth?

She pleads her case in the rouge press couched
in the vernacular of cigars and already feels the
rough rope at her throat and hopes she will
have time to feel the void at her feet
when the trap door drops into indigo.

19 April 2010

2010-04-19T01:22:00.000-07:00

Garden

you hang in sleep
like poppies on the cliff face
it's always Sunday afternoon

when I sleep and it's your turn
to be awake you put ropes
of glowing filaments and
limpid soup in my dreams

and I know you're asleep again
when I pinch the fuchsia leaves and buds
out of the fresh cuttings they leap
from my hands on antelope legs
and instantly sprout large pink skirts
with purple petticoats and run to the hills

18 April 2009

2010-04-18T03:20:00.000-07:00

Love Poem

I carry you draped on my neck
like a tape measure

a ribbon coiled
shiny side rolled out

a dimpled thimble
I thumb the indentations

my pocket is filled with
these bits of you

17 April 2010

2010-04-16T23:56:00.000-07:00

The title of this poem is a quote by Marianne Lettieri, an assemblage artist I admire. Kieth Lobue is another, his site is stunning. The title comes from the book Art Making, Collections and Obsessions by Lynne Perrella, Quarry Books, published in 2007. Many of the pages in the book resemble my studio. I have a vast and ever growing collection of curiosities and trinkets. This poem is inspired by my never ending search for ways to store my junk.

'Pieces of string too small to use'

Foreward
this book is about how to save things

i
flakes of text keep best in small corked bottles

ii
bind together with twine impulsive wire spectacles and
their more conservative cases

iii
wind rusted imperial tape measures
around grey palm pebbles

iv
separate yellowed crochet castoffs
in pigeonholes of an old secretary like this -
lengths of lace : round doilies : lace edge lawn hankies

v
fashion humble twine into self supporting nests

16 April 2010

2010-04-16T00:51:00.000-07:00

trial the third

A scaley white patch of desire in my groin is unsoothed by milk
and salt I scratch and bandage the waste alotment of skin
untouched and unhealed under the cliff of my belly spreads
the fissured bark of old man pine creeping towards my breasts
it snags my skin painfully taut each day I scratch it away each night
it blooms again like feeding coral until the day he flenses it
from my body with his curved whaler's knife.

15 April 2010

2010-04-14T18:36:00.001-07:00

I actually managed to finish something today. The tale continues and like all good tales, the heroine undergoes three tests. Here's a snippet of one of them.

Urgent cyclamen flutter their hands
and keen a professional mourning song for you.
Very clever, faking your own death
you merely sleep like critical water
released from a deep sea vent and
behave like a gas filling any container.
I believed you dead and it filled me.
It's only spindle sleep, when
I shake the bridal you return.

14 April 2010

2010-04-14T14:42:00.000-07:00

Lessons in Gymnastics

The Dutch gymnast has a backward facing leg
her round off with a perfect pike finish
a fine example for the half a half-penny
moon girls up the ladder who dive
wild into the empty air.

I'm a disappointing acolyte flexible yet afraid
of her fearless tumbles even as she drags
her leg behind her. She mutters, " you're too old,
much to old the fear has a firm hold."

I'm older still the terror of revolving in mid air
owns my left leg and drags me behind.

13 April 2010

2010-04-12T22:41:00.000-07:00

and somewhere towards the middle of the tale

several hundred thousand guests
at the table the doves coo endless need

and then you

I run around the house
a 35◦C caucus race
and collapse heat exhausted

with the turtles

I love you like a deluge
stop like teeth breaking
out of a cog

thumbprint the hem of your white skirt
like black beetles and
hug my deceit

I peel off your window
(you're in it) thread it a cats cradle
through my fingers

you tie your long hair around my burning wrist

for coolness

12 April 2010

2010-04-12T02:08:00.000-07:00

Today, I wrote through my own poem. I wrote in response to 11 April and began to develop the other main character in my fairy tale. The working title is:

Prologue

The peridot leaf lamps of autumn
declare the journey season come.
She's ready for a hero's test
with no ambiguous fruit.

She pays a visit to wild oat fields
pressing milk from green seed heads.
Stirs straw beneath the clucky hen
grasps the warm egg.
Plucks hanging grapes with her teeth
heedless that the trellised vines
fizz with drunken bees.

She's the copper luster of summer
frosted leaf edges of winter
the translucent shell.

Across the sea I am thirty autumns,
her aphotic yolk.

11 April 2010

2010-04-11T02:32:00.000-07:00

I did the 'writing through' exercise Joanna Preston suggested for my poem yesterday. Today I tackled part two. The characters I created in my wee 'fairy tale' have taken on a life of their own. This is part of the woodman's story. As yet untitled. It could well go on to be part of a bigger story.

I'm found licking honey from the thorn

I woke rocking
in the vagabond's caravan
rescued from mad pursuit of the illustrious object

I have become all crepitous bone and walking shadow
with the knocking of wood peckers in my ears

a pilgrim searching for ancient fibers of her

10 April 2010

2010-04-10T03:44:00.000-07:00

a time in the forest

and the woodman is indurate
sometimes he likes to sleep in Somerset
alone in the sand

on the other side of the planet
is a velveteen woman

they begin to walk
their steps rotate the world
never closing the distance

with her dressmaking scissors
she cuts the moon out of the sky

they throw it to each other
in endless relay
his smoke filled outline
begins to glow

for thanks
he leaves a trail
of thorns

the gathered punctures
bleed and tune
she adjusts the harmony
with each new wound

she bleeds out all music
and he has sole possession of the moon

he lifts it and sees
she has embroidered it
with French knots and grub roses
in threads of amethyst and bronze

9 April 2010

2010-04-08T22:53:00.001-07:00

In addition to this little piece of nonsense (shame the word 'vorpal' has already been invented) I tidied up the sonnet.

my left ankle

Geisha hobbled
pinned and plated

my foot curls backwards
without invitation

agony of fascination

the side of my leg
where nerves are severed
aches nothingly

8 April 2010

2010-04-08T02:39:00.000-07:00

Sonnet for a Submissive

If poets scream then she will rip her throat
and fume the sky with lines of glassine verse.
Her voice is hoarse. Has she the strength to coat
her tongue in salt glaze fired in the first
impoverished flame? He throws her like a lily
vessel centered on his wheel, he flares
the pinch bowl mouth she offers willingly.
Intaglio incisions on greenware
graze her will. The brine soaked ropes that bind her
burn, brand and lacerate with devotion.
On the kiln shelf she's become a tawdry
relic of a once bright tungsten woman.
Dimness drips a sweaty deprivation,
his hand withdrawn, her final creation.

7 April 2010

2010-04-07T02:11:00.001-07:00

...just squeaked this one in today. Still frantically scribbling before the readings and between cups of flat white as the audience arrived at the Madras St Cafe. Lovely to meet Greg O'Connell. Congratulations to Joanna Preston who was 'People's Choice' for the open mic with a gorgeous poem.

Here's my offering for NaPoWriMo for today:

Plum Fall

I drop the morning as it gets to the good bit. The woman
asking for Julie interrupts before
the poet can reveal

how the space
between blue skin perfectly tensioned
over yellow flesh
and the sour at the stone
is the answer to long distance love.

I hang up the phone
and return to his comfort food
of creamy white words -

and find him as clueless as I.

I slump,

until

a bias cut autumn afternoon
comes in sideways with a fluid hand
and a soft drape that

skims my hips.

6 April 2010

2010-04-05T20:38:00.000-07:00

Playing House

Unlike your dolls little girl
the man you left behind doesn't come to life
when you turn out the light.

He exists in stasis.
He needs the sunshine of your presence
to reanimate fluids in his joints, his head thorax abdomen
and motivate the beating of his wings.

You will replay these events waiting for
him like a doll in the dark.

March Wrap Up

2010-04-03T14:43:00.000-07:00

NaPoWriMo has begun and while I embark on that, I look back to the month that was. The highlight was my reading at the Madras Street Cafe on 31 March. I stuck to time, I stuck to the script and the feed back was good.

I forgot how much I miss performance, used to sing a lot and haven't done so in many years. From hearing others read, I've learned what works and what doesn't. There is an immediacy to a public reading. As a listener I don't have time to decode hefty scholarly works. Or am I just shallow? Anyway, I chose poems that have performance value and imagery I could bring to life with nuanced tone and interpretation, much as I would a song. I also thought about the structure of the set. Take the reader on a journey, balance long and short, emotionally challenging with levity and at the end set them down gently and leave them wanting more.

In March I also evaluated my work based on the critical framework I've developed with Kerrin P Sharpe and more recently, Joanna Preston. Two very important influences on my writing. I've slowed down a little, set things aside to view with fresh eyes at a later date. It means I wrote fewer poems, with more consideration.

Having said that, NaPoWriMo is in full swing and I'll blog as many as I can. These are not finished poems and I look forward to the comments and critque of others. Even better than writing is reading the work of others, following the trail of crumbs left in the comments from one blog to another, discovering some great writers out there.

That's quite enough from me, back to writing everyone.

April 2 2010

2010-04-01T23:00:00.001-07:00

on hearing Rodney Jones read

his voice reading rain crumbles like good sugar cookies
I think of petrichor and how a dry acid whitish-blue sky
turns blue-blue after the drought

I'd like a lover to write
down pour and hallowing on my skin
in his consonants I hear tin tin, tin tin
and think of the mud bricks we made covered
with sheets of corrugated iron

the house was never built so
we removed the iron and the bricks
dissolved back into the earth

I can't think of a city like I'm supposed to
rain on dry bitumen smells like oil
and bricks don't dissolve

sunrise might be promising but
the same sun at midday reveals shop girls
smoking in dirty allies and I retreat to the farm

the farmer was glad to have his top soil back
love does that too it retreats back into the earth

April 1 2010

2010-04-01T22:54:00.000-07:00

The Road to Katrine

you got stoned and drove me fast to your farm
I recall it now as though through a monocle
of transparent golden toffee

your nose and mouth pressed into my hair
one arm hooked around my chest you inhaled me
my hair the heat the ripening wheat the

Patterson's Curse raped us staked us both out
in the tyre tracks of the combine harvester and
filled our mouths with purple blossom and broke
paddy melons on our bodies

although you died crushed in the teeth of the
winding road to Katrine you kept your pact
and five years later I woke panting in my bed
with melon seeds pressed into the sides of my head

NaPoWriMo

2010-04-01T22:48:00.000-07:00

NaPoWriMo is here. 30 poems in thirty days. When I tweeted this on my Twitter channel, one chap said it was a worse idea than NaNoWriMo. Since I can do without the negativity, I blocked his arse. I do love that feature on Twitter. It says something for the digital age that we can create our own personal wonderlands that prop up our egos, is that not so?

So here it goes, I'm having a crack at it. Feel free to leave your comments. I doubt I will block anyone, but I am not making any promises. Goggles down...

In poetry news today...

2010-03-13T09:54:00.000-08:00

February was a big month for me, in terms of publishing. Another poem appeared in The Press. Thank you to James Norcliffe who has kindly published 4 of my pieces in the last year.
In February Siobhan Harvey, poetry editor of Tahkahe Magazine accepted two poems. The date was also set for my reading for the Christchurch Poet's Collective: 31 March, Madras Street Cafe.

Perhaps the most important thing about February was the workshop by Joanna Preston I attended. Joanna was kind to all the writers, novice and more experienced, but I was itching to get some notes from her. I must have looked a bit wild eyed and over-eager (one of the reasons I tend to fail at interviews, ah well) because she invited anyone wanting feed back to stay after class. I rushed her and elbowed everyone out of the way, informed her I had all the ego pummeled out of me in 4 years of art school and asked her to go for it. In the follow up notes I have since received by email, Joanna has been incredibly generous with her time. Her feedback has been invaluable to me.

Kerrin P Sharpe is also a mentor and very good friend. In 2009 alone she was published by Snorkel, Turbine, and was selected for Best New Zealand Poems to name a few.

Time to return to scribbling.

2010-03-12T23:21:00.000-08:00

on the death of a lover

my crucible
you are gone

you left me the alloy
ingot forged in your
bowl the colour

of apricots
with a lustrous nacre
deep as subterranean
caves

2010-03-07T01:11:00.000-08:00

The Little Goat

I graze too close to the ravine

my distracted goatherd
you forget my clumsy cloven
lips lead me astray

and I tumble

2009-12-06T00:55:00.000-08:00

One Inch Bottles

corked

you palmed
into my palm

they contain
a pupae case
you plucked
from the fence

seeds we
rushed upon
trying to
best each other

purple carrot
shavings you
dried on
my heater

fragments
of antique
songs

string

2009-10-08T03:03:00.000-07:00

Beach Comber

My Nemesis speaks
in the vernacular
from her slips

faces made of
sun ray pleats
drink the
ancient catch

and abandon
her hull to
salt rusty scabs
and perches of
weary godwits

she aches for
waterline modesty
and thin slices
of whale song
on melba toast

southerlies scour
her gentility
she curses
my pockets
filled with paua
and bleached
seal teeth

2009-08-20T00:48:00.000-07:00

Fish Trap

She's a gleam
of sunlit
fish scales

a glance up at
radial winter
branches

his finger
slips beneath
her shirt hem

hooks her back
a small rip
a claim

red vapour
in water she
wriggles free

he lays a new trap
further upstream

baited with
erotic books
watch cogs
owl words
straw houses

she swims in

2009-08-13T00:30:00.000-07:00

In memory of Dianne Perano who passed away August 5, 2009

Balloons for Dianne

In praise of silver skins

taut volumes of spirit
move and stay

stretched
by the vestry's breath

they hover above her
and rise

evading a float of steeples

2009-07-25T04:30:00.001-07:00

The Accountant Cries

On his solitary walks
he feels the air in front of him
searches for her soft arm
the smell of soap and roast lamb.

Her hands folded in her lap
even when she watched
the 6 o'clock news her hands
were stored competency
reserved for mysterious tasks.

At school he'd imagine her hands
(he loved the fine wrinkles
in the pads of her index finger)
he'd imagine them at school
as he learned to rule
exercise books in neat columns.

Pushing his tie more firmly
against the knot of his throat
he flicks imaginary lint from
the knee of his immaculately
crossed trouser leg and

He feels the air in front of him
the long breath of years
too frightened to leave his body.

2009-07-22T02:04:00.001-07:00

Appeared in The Press June, 2009:

Not Tonight

I’m a water bird trapped in the bellows
of a piano accordion.

In my walnut brain
a migraine of box headed musicians thumps.

Love song, thud song, an incessant canto of
dribbling basketballs.

It’s a peaceful lie
that God can distribute love on my behalf,

wrap it in a clean tea towel, crush it with
a rolling pin,

then scatter crumbs
in a trail that doesn’t lead to me.

2009-07-22T02:02:00.000-07:00

Appeared in The Press, July 2009:

Fern and the Sandman

I hung the words inches from her face
in a painted dirigible filled with

go back to sleep little girl
and blew it into her half closed eyes

we won't run away

just down caves
swimming with seal pups
into the convolutions of a shell

a chirruping kiss
uncurls her